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This book constitutes one of the most important contributions to recent Kant scholarship. In it, one of the preeminent interpreters of Kant, Henry Allison, offers a comprehensive, systematic, and philosophically astute account of all aspects of Kant's views on aesthetics. An authoritative guide to the Critique of Aesthetic Judgment (the first and most important part of the Critique of Judgment), no one with a serious interest in Kant's aesthetics can afford to ignore this groundbreaking study.
- Sales Rank: #904015 in Books
- Brand: Brand: Cambridge University Press
- Published on: 2001-04-16
- Original language: English
- Number of items: 1
- Dimensions: 8.98" h x .98" w x 5.98" l, 1.30 pounds
- Binding: Paperback
- 444 pages
- Used Book in Good Condition
Review
"...an important and original contribution to the study of Kant's aesthetic theory. ...essential reading for anyone who hopes to make a further contribution to the subject, as well as a valuable companion for readers approaching Kant's aesthetics for the first time." Inquiry
"This commentary on the 'Critique of Aethetic Judgment,' the first half of Kant's ^Critique of Judgement, has four parts.... The final part examines Kant's claim that a beautiful work of art must both seem like nature and be recognized as art." Choice
"In his discussion of the sublime, as well as at many other places, a certain virtue of Allison's style becomes apparent. He often reads Kant's arguments in their appropriate contexts. By carefully, skillfully, and convincingly exhibiting the different interests and aspects that Kant had in mind in different particular passages, Allison explains how such passages fthat seem to contradict one another, in fact do not. For this reason, as well as for the breadth of material covered, Allison's efforts are nothing short of commendable." Notre Dame Philosophical Reviews
"Since the structure of this section of the book closely follows Kant's own text, Allison's analysis can be used as a commentary, but its real value is in the originial interpretation he offers.... it will appeal to a diverse group, from specialists and students of aesthetics to the philosophically minded artist.... Anyone engaged in studies of Kant's theoretical, moral, or aesthetic philosophy will find much to be excited about." Philosophy in Review
"Allison's book is a major contibution to the already rich secondary material on Kant.... His book is indispensable for readers of Kant who wish to understand the third Critique from the inside." The Wordsworth Circle
"Kant's scholarship in all its aspects is a very healthy field in which much excellent and original work is being done. The writings of Henry Allison constitute a significant part of this excellence, and in that respect this book is entirely of a piece with his other influential work on this most influential of modern philosophers." - Allen B. Wood, Stanford University
About the Author
Robert B. Pippin is the Evelyn Stefansson Nef Distinguished Service Professor in the Committee on Social Thought, the Department of Philosophy, and the College at the University of Chicago.
Most helpful customer reviews
9 of 9 people found the following review helpful.
An Excellent Overview of K's CPJ
By Flounder
The standard texts on this topic are by Guyer, Barnham, Crawford, and Ginsborg (dissertation). The Guyer text is thorough and rigorous--a quite careful reading and interpretation of the Third Critique--I recommend it along with Allison's recent work. (Allison and Guyer sometimes disagree on important points....)
Allison is an astute and keen defender of Kant (see his Transcendental Idealism/Yale UP). This new book is aptly in line with his best scholarship and cautious reading. I highly recommend it.
Allison's text is divided into four parts. First, he deals with Kant's "Conception of Reflective Judgment," whereby I recommend that you also review B. Longuenesse's book on judgment (Princeton UP). Allison's interpretation here differs from L's, and he clearly states how his view is unique, as well as a more balanced comprehension of the conncetion between the reflective judgment of taste and the epistemic role of reflection.
I daresay, the second part of the book is the most important (Chs. 3-8); it deals with the quid facti/quid juris distinction in the domain of taste. Chs. 6-8 are quite useful, especially ch. 8, which is on "the Deduction of Pure Judgments of Taste." An understanding of this material is crucial to a more certain grasp of K's Third Critique.
Part 3 deals with the connection between judgments of taste and moral judgments. Ch. 10 discusses the mirror-like connection between 'duty' and pure 'aesthetic judgments.'
Part 4 discusses genius and K's notions on sublimity. For specific coverage on this topic, see Crowther on the Kantian Sublime (Oxford UP) in conjunction with this chapter.
14 of 17 people found the following review helpful.
A must read for serious scholars of 3rd Critique
By A Customer
Allison's book provides a wealth of interesting and semi-interesting arguments on the Critique of Aesthetic Judgment. The book is important in engaging with Guyer and the tradition of analytic aesthetics. It responds to many of the lacunas in Guyer's *Kant's Theory of Taste*, particularly as regards the status of judgments of taste as reflective. However, Allison by no means goes far enough in explaining the import of this status. Those interested in the 3rd Critique are adivsed to get Makkreel's much more readable work if they wish to understand the reflective character of aesthetic judgments, including their contribution to reflective interpretation. Also, Allison at times goes too far in attacking Guyer, leaving Guyer able to readily deal with many of Allison's points, and thereby continue his own critique of Kant.
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