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Drawing on interdisciplinary work in the field of ethics by a diverse range of thinkers, including Martha Nussbaum, Richard Rorty, Emmanuel Levinas and Paul Ricoeur, Jil Larson offers new readings of late-Victorian and turn-of-the-century British fiction. Focusing on novels by Thomas Hardy, Sarah Grand, Olive Schreiner, Oscar Wilde, Henry James, and Joseph Conrad, Larson explores the conjunction of ethics and fin-de-siècle history and culture through a consideration of what narratives from this period tell us about emotion, reason, and gender, aestheticism, and such speech acts as promising and lying.
- Sales Rank: #10455197 in Books
- Published on: 2001-02-12
- Original language: English
- Number of items: 1
- Dimensions: 8.98" h x .55" w x 5.98" l, .90 pounds
- Binding: Hardcover
- 188 pages
Review
"...Larson's book is a challenging reevaluation of ethical criticism and Victorian novels." Religious Studies Review
"Larson's book proves to be a solid study of ethics and narrative...The Afterword is valuable for its succinct recapitulation of the study's premises and conclusions. The volume concludes with twenty-two pages of notes, a solid bibliography, and a short index." English Literature in Transition, 1880-1920
"Jil Larson offers an intriguing new volume...Larson's ethical readings succeed admirably in terms of ethical criticism's interpretive potential for both camps." George Eliot-George Henry Lewes Studies
"This is a valuable moment in a study by a critic with a rare combination of knowledge of recent moral philosophy, ethical criticism, and criticism of late-nineteenth-century British novelists." Victorian Studies
About the Author
Jil Larson is Assistant Professor of English at Western Michigan University. A former managing editor of Victorian Studies, she has published on Thomas Hardy, Joseph Conrad, and ethics and literature. She is currently a member of the Executive Board of the Centre for the Study of Ethics in Society at Western Michigan University.
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