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Shakespeare and the Book, by David Scott Kastan
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This book is a authoritative account of Shakespeare's plays as they were transformed from scripts to be performed into books to be read, and eventually from popular entertainment into the centerpieces of the English literary canon. Kastan examines the motives and activities of Shakespeare's first publishers; the curious eighteenth-century schizophrenia that saw Shakespeare radically modified on stage at the very moment that scholars were working to establish and restore the "genuine" texts, and the exhilarating possibilities of electronic media for presenting Shakespeare now to new generations of readers. This is an important contribution to Shakespearean textual scholarship, to the history of the early English book trade, and to the theory of drama itself.
- Sales Rank: #1955419 in Books
- Brand: Brand: Cambridge University Press
- Published on: 2001-10-22
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .43" w x 5.43" l, .61 pounds
- Binding: Paperback
- 184 pages
- Used Book in Good Condition
Review
"Lively and readable...Kastan's book is an excellent survey and would be particularly useful as a text for advanced undergraduates or graduate students." Shakespeare Quarterly
"A timely work...four finely crafted and beautifully written essays that are at the same time erudite and accessible." Medieval and Renaissance Drama in England
"A thoughtful elegantly conceived and elegantly written series of meditations on the traffic of the book trade." Studies in English Literature
"Kastan's travels through the history of Shakespeare's
ghostly textual presence will inform the neophyte, provoke the expert, and entertain all." Notes and Queries
"Deserves the attention of all students of Shakespeare, and all book lovers." Zeitschrift fuer Anglistik und Amerikanistik
"Kastan excels when he deals with hypertexts...Upper-division undergraduates through faculty." Choice
About the Author
David Scott Kastan is Professor of English and Comparative Literature at Columbia University. He is a specialist on Shakespeare and early modern culture. His most recent book is Shakespeare After Theory (1999) and his other publications include Shakespeare and the Shapes of Time (1981), Staging the Renaissance (1991, edited with Peter Stallybrass), Critical Essays on Shakespeare's 'Hamlet' (1995), The New History of Early English Drama (1997, edited with John Cox, and winner of the 1998 ATHE award for the best book on theatre history), and A Companion to Shakespeare (1999).
Most helpful customer reviews
12 of 14 people found the following review helpful.
great to have
By A Customer
This is a wonderful book: at once gracefully summarizing what is known and adding importantly to that store of knowledge, Kastan's book, gracefully and often wittily written, compellingly tells the story of how the plays we love to read reached print -- from their own time even to our own computor age. This is a book that will delight lovers of Shakespeare and also reassure those who are worrying that the age of the book is quickly passing. The beauty of this book alone itself insures this will not be so. Bravo!!
7 of 10 people found the following review helpful.
a must
By A Customer
this is informative, wittily written, and filled with surprises about how Shakespeare became "Shakespeare"; it is also a beautifully produced book, as one would expect from Cambridge.
The paperback makes a great gift for anyone interested in Shakespeare or in the history of the book, even as that history moves into the digital era. A great buy and a must for any college or good high school library.
4 of 6 people found the following review helpful.
wonderful
By A Customer
I loved this book. It is beautiful written, even funny in places, is a clear and always interesting account of how Shakespeare made it into print (and what print has done to him since). Anyone interested in Shakespeare and in books will enjoy this and learn from it.
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