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This is a collection of fourteen essays on particular topics from over one hundred years of Shakespeare performance in Japan. In addition, there are four interviews with leading directors and one with a leading perfomer. Unlike the few existing books on Japanese Shakespeare, this book concentrates on modern and postmodern theater, from c. 1970, and contains contributions from both Japanese and Western scholars and theater practitioners.
- Sales Rank: #6056050 in Books
- Brand: Brand: Cambridge University Press
- Published on: 2001-02-12
- Original language: English
- Number of items: 1
- Dimensions: 9.72" h x 1.02" w x 6.85" l, 2.00 pounds
- Binding: Hardcover
- 274 pages
- Used Book in Good Condition
Review
Review of the hardback: 'This excellent book ... makes you want to board the next flight to Tokyo and take up the challenge.' The Times Literary Supplement
About the Author
Minami Ryuta is Associate Professor of English at Kobe City University of Foreign Studies. He has co-edited, with Ian Carruthers and John Gillies, a CD-ROM on Deguchi Norio's productions of A Midsummer Night's Dream for the Department of Theatre and Dance, La Trobe University. He also compiled a chronology of Shakespearean performances in Japan for Shakespeare and the Japanese Stage published by Cambridge University Press in 1999. Ian Carruthers is Lecturer at La Trobe University, Melbourne. As Visiting Professor at Kansai Gaidai University in Japan, he taught traditional Japanese theatre and in 1994 won a Japan Foundation Fellowship to research the theatre of Suzuki Tadashi. He has since co-written a book, with Yasunari Takahashi, entitled The Theatre of Suzuki Tadashi which will be published by Cambridge University Press. John Gillies is an Australian Research Council Research Fellow at the School of Arts & Media, La Trobe University, Melbourne. He has published numerous articles and book chapters. He is also the author of Shakespeare and the Geography of Difference published by Cambridge University Press in 1994 and, with Virginia Mason Vaughan, Playing the Globe (1998).
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