Ebook Edmund Burke and Ireland: Aesthetics, Politics and the Colonial Sublime, by Luke Gibbons
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Edmund Burke and Ireland: Aesthetics, Politics and the Colonial Sublime, by Luke Gibbons
Ebook Edmund Burke and Ireland: Aesthetics, Politics and the Colonial Sublime, by Luke Gibbons
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Burke's influential early writings on aesthetic are intimately connected to his political concerns according to this study of his engagement with Irish politics and culture. The heart of his aesthetic addressed itself to the experience of terror, a spectre that haunts Burke's political imagination throughout his career. Burke's preoccupation with violence, sympathy and pain actually allowed him to explore the dark side of the Enlightenment. This major reassessment of a key political and cultural figure appeals to Irish studies specialists, political theorists and Romanticists.
- Sales Rank: #4710411 in Books
- Brand: Brand: Cambridge University Press
- Published on: 2003-12-08
- Original language: English
- Number of items: 1
- Dimensions: 8.98" h x .87" w x 5.98" l, 1.41 pounds
- Binding: Hardcover
- 320 pages
- Used Book in Good Condition
Review
"An exemplary interdisciplinary work in which aesthetics, ideas, and history are mutually activating..." New Hibernia Review
"This new book on Burke, by Luke Gibbons of Notre Dame University, goes a long way towards resolving the apparent contradictions in Burke's life and towards reconciling the ambiguities in his legacy...[A] bracing read and a signal achievement with much that is new to say..." Irish Times
"Gibbons provides a cogent and nuanced account of Burke's particular contribution to theories of sensibility, as well as a compelling examination of the role of sensibility within Enlightenment thought in general and the politics of the eighteenth century, with particular attention to the colonial and assimilatory pressures within the British Isles. Edmund Burke and Ireland is essential reading for anyone grappling with the complexity of Burkean affect and, more broadly, with the stresses and strains between Englightenment thought and eighteenth-century colonial practices." - Canadian Journal of Irish Studies, Julia Wright, Wilfrid Laurier University
"This book is altogether engaging, enlightening, and fundamentally correct with respect to a contemporary post-modern application of Burke."
Michael F. Deckard, Catholic University of Leuven
About the Author
Luke Gibbons is Professor of English, and Film, Theatre and Television at the University of Notre Dame, Indiana. He has written extensively on Irish literature, the visual arts and popular culture. He is the author of Transformations in Irish Culture (1996) and The Quiet Man (2002), and co-author of Cinema and Ireland (1988).
Most helpful customer reviews
2 of 4 people found the following review helpful.
An odd little book
By Zelenka
Indeed, an odd little book, but one meriting the attention of readers interested in Burke; how much it would appeal to readers interested in Ireland otherwise would be hard to guess. I suppose that in writing about a master of such sonorous and pregnant late 18th century prose, a modern academic writer is taking on a lot, yet the step down in style from Burke (as quoted in the text) to that of the author is less precipitous than might have been feared.
A number of interesting ideas are touched on, such as colonialism, what we call the Enlightenment, the philosophical idea of the 'Sublime', and political order and disorder. The writer's sympathies are never left in doubt, but the reader will give thanks that, for reasons of chronology at least, Burke can be spared the sheep-dip treatment of being meaningfully described in terms of Irish 'post-colonialism'.
All in all, a good, workmanlike account of its topics, taken at a trot and unimpeded by much truck with modern academic 'secondary literature' or theoretical authorities. The quoted passages and references are mainly to contemporary sources, including Burke's own works, showing that Mr Gibbons can approach an 18th century writer directly rather than through the fog of recent postcolonial tracts. This short book will probably be read when most postcolonialist texts are deservedly forgotten. Indeed, it seems that passing approving references to post-colonialism in this book are intended ironically; there is clearly a modest place for wit in academia.
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