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The Improvisation of Musical Dialogue: A Phenomenology of Music, by Bruce Ellis Benson
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Whereas most books on the philosophy of music focus on the creation and reproduction of music, Bruce Benson's concern is the phenomenology of music making as an activity. He offers a radical thesis that improvization is of primary importance at the moment of music making. The book brings together a wide range of musical examples from classical music, jazz, early music and other genres. Incorporating analytic and continental philosophy, musicology and performance-practice issues, it is a provocative study for philosophers of art and musicologists. It also appeals to general readers; especially those who perform.
- Sales Rank: #5165824 in Books
- Published on: 2003-03-10
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .63" w x 5.43" l, .90 pounds
- Binding: Hardcover
- 216 pages
Review
'... a timely and I believe much-needed reorientation of attention ... it will be found engaging reading by philosophers, musicians, and conceptually adventurous listeners.' Gary Hagsberg, Bard College
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